Manual Misfortune: First Years in California (Exile in California Book 1)

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This is the first printed edition of a manuscript collection of verse important for an understanding of the culture of Henry VIII's court and women's central role in the exchange and enjoyment of poetry.

Memorial One

This edition, which offers a bilingual selection of poetry and selected prose translated into English by the nun-author Cecilia del Nacimiento — , increases contemporary scholars' access to, and therefore understanding of, the Spanish early modern religious and intellectual milieu. Delarivier Manley and Mary Pix were among the groundbreaking "female wits," who debuted their original plays for the public stage in — Two of these plays contain explicitly Islamicate themes.

The plays have been modernized and annotated in this edition, most for the first time. The letters of Margherita Datini to her husband, Francesco di Marco Datini the subject of Iris Origo's popular biography, The Merchant of Prato , are here translated into English for the first time as a complete collection. For her last published volume, Lucrezia Marinella ? The author's bleak portrayal of an educated woman's life, together with her praise of traditional female virtues, is emblematic of the negative attitudes towards women's creativity and learning that had become prominent in seventeenth-century Italian culture.

This edition of the writings of Elizabeth Cooke Hoby Russell unites in one volume the varied corpus of a prolific early modern woman writer, including her unpublished correspondence, manuscript poems, monumental inscriptions and elegies, courtroom appearances, and ceremonial performances, as well as her printed translation, A Way of Reconciliation of a Good and Learned Man. In these formidable writings, women's erudition is defended as an inalienable birthright and a defining feature of femininity.

This volume presents in English the selected works of Liubov Krichevskaya —? At times hopeful, at other times despairing, her literary works, written in Russian, explore the theme of woman's agency in contemporary society and include dramas, novellas, lyric poetry and an epistolary novel. The Chronicle of Le Murate , completed by Sister Giustina Niccolini in , is one of a small number of surviving documents that presents a nun's own interpretation and synthesis of historical events.

It recounts the roughly two hundred—year history of Florence's largest convent, which attracted boarders, nuns and patrons from Italy's elite families. The manuscript provides a rare view of life behind the enclosure walls and of nuns' interaction with the world outside. This excellent collection of essays and texts surveys the culture and intellectual context of early modern Italy in order to render more intelligible the writing of Italian women.

A critical edition of the philosophical correspondence between the seventeenth—century philosopher, Gottfried Wilhelm Leibniz, and his two royal patronesses, Electress Sophie of Hanover and her daughter, Queen Sophie Charlotte of Prussia. This is the first English translation of all the philosophically important material from the two correspondences. It was sophisticated and ironic women who not only inaugurated the vogue but also produced sixty—eight of the one hundred twelve tales published — This collection presents eight fairy tales most never before translated into English by the most prominent women authors.

Valeria Miani's Celinda , the only female—authored secular tragedy of early modern Italy, is here made available for the first time in a modern edition. This fresh translation of five plays securely authored by Antonia Pulci—one of the first published women writers in Renaissance Florence—reveals this gifted dramatist at her finest. This new bilingual edition of Du Guillet's poems includes a richly detailed and up-to-date introduction and a translation that follows the original rhymes—a daunting undertaking performed with accuracy, humor and verve.

This volume provides the most in-depth biography of her ever published, but also the first appearance of any of her work in English.

One of the first printed medical texts to be attributed to a female author, The True Medicine is radically innovative in its rejection of contemporary medical theory for a more pro-feminist physiology and cosmology. The Great Schism — divided Western Christendom into two groups: those who recognized a pope in Rome and those who recognized one in Avignon. This volume brings to life the extraordinary spiritual and political engagement of two late medieval women who refused to be passive bystanders as rival papal factions tore Christendom apart.

Love in the Mirror tells the unforgettable and path—breaking story of a passionate love affair between two women in early modern Florence. Five nuns set out in the early s from their cloistered convent in Madrid, Spain, to travel halfway around the world to Lima, Peru. The journey lasted three years -- an odyssey not all of them would complete. The ubiquity of social media has transformed the scope and scale of scholarly communication in the arts and humanities.

The consequences of this new participatory and collaborative environment for humanities research has allowed for fresh approaches to communicating research. Social Knowledge Creation takes up the norms and customs of online life to reorient, redistribute, and oftentimes flatten traditional academic hierarchies.

This book discusses the implications of how humanists communicate with the world and looks to how social media shapes research methods. Every essay in this book is concerned with the human-machine dynamic, as it bears on early modern research objects and methods. This edition publishes the contents of the manuscript in their entirety, documenting well the manuscript's place as the earliest sustained example in English of men and women writing together in a community.

This volume brings together some of the best work from the New Technologies in Medieval and Renaissance Studies panels at the Renaissance Society of America RSA annual meetings for the years — The aim of this book is to encapsulate the potential that digital technologies pose for Medieval Material Culture, providing examples of leading projects worldwide which are enabling new forms of research in this area.

The text aims to provide a broad overview of the tools now used by historians, including text encoding, digitization, and visualization, and juxtaposing this with core concerns from historians investigating particular research questions. This book explores the practical aspects of electronic publication and reflect on the politics of the knowledge landscape that is emerging. Their accounts of such practical matters as Intellectual Property Rights IPR and coding standards form part of a larger consideration of the new knowledge economy and how the humanities disciplines will fare in a world that increasingly trusts its cultural heritage to magnetism and laser optics rather than inks and paper.

The two documents translated in this volume provide a detailed snapshot into the Ottoman Empire and its relations with Venice at a time of transition for both of these Mediterranean powers. The first volume of the series, New Technologies and Renaissance Studies , presents a collection of contributions from the the annual "conference within a conference" of the same name which takes place during the Renaissance Sociey of America RSA gathering, dedicated specifically to the intersection of computational methods and Renaissance Studies.

Papers in this volume are from their inception at the meeting in Chicago to the meeting in Cambridge. The information explosion of the last two decades has triggered an interest in the historical precursors of such a phenomenon.

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Heresy is a fluid concept, not easy to define or pinpoint, and certainly one that defies religious and political boundaries. The articles in this volume examine the varieties of perceptions and representations of heresy in early modern France. This volume celebrates the considerable contributions of Edward Muir to the history of Renaissance Italy and early modern Europe.

This book carefully dissects and contextualizes a vast seventeenth-century panorama of Constantinople that is not only an exceptional representation of the city, but also an elaborate piece of anti-Ottoman propaganda. Focusing on the Italian peninsula between and , authors analyze specific sites of intense cultural production and innovation. The Medici grand ducal family and the court it created in the sixteenth and seventeenth centuries have long fascinated historians and the general public.

University of California: In Memoriam,

It is only in the last decade or so that scholars have begun to reassess their roles and achievements. The aim of this book is to advance that reassessment. The thirteen essays in this volume demonstrate the multiplicity of connections between learning and politics in Renaissance Italy.

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  4. For several decades James M. Estes has been pointing to the complexity of the problems facing sixteenth-century reformers and the practical solutions they were able to reach. Friendship and Sociability in Premodern Europe explores ideas and instances of friendship in premodern Europe through a series of investigations into amity in discrete social and cultural contexts related to some of the most salient moments and expressions of European history and civilization. In their range and breadth, the essays in this collection illustrate the cultural force of Neo-Latin in Early Modern Europe.

    This interdisciplinary and diverse collection of articles stems from a conference that centred on the idea of creating women. The verbal adjective in the title was meant to signal a dual meaning: women create and women are created by others.

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    This volume brings together new scholarship in Italian art and culture from the thirteenth to the eighteenth centuries first presented during April and May at two conferences celebrating Charles Dempsey on his retirement from teaching at The Johns Hopkins University. Peter Howard carefully reconstructs the concept of magnificence by tracing its development through Archbishop Antoninus's texts and his mendicant career in s Florence.

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    Treating the devil not as a reified theological entity but as a dynamic concept that was made and remade over the centuries according to cultural priorities and the exigencies of circumstance, the articles in this collection probe how the devil and demonism operated as explanatory categories that helped create and rationalise experience, thereby shaping the way people lived their lives and understood their place and role in premodern Europe.

    The articles in this volume provide an overview of the issues and complexities that informed marriage in the premodern West. They provide a series of interdisciplinary and multicultural analyses of an institution that was fundamental across societies and cultures, but manifested in diverse practices and beliefs.

    The twenty essays in this collection examine critical issues in Renaissance art. Written by students of Colin Eisler, professor at the Institute of Fine Arts at New York University for fifty years, and dedicated to him, they serve as a tribute to this exceptional scholar.


    This collection of essays shows the remarkable strides the study of gender has made in the decades since Barbara Todd helped reshape the field through her publications and teaching. Savonarola and Savonarolism retraces the history of the reformer's controversial Florentine period and examines his political, religious, and cultural legacy throughout the sixteenth century in Florence and beyond. Through a close reading of rarely studied materials, Sergius Kodera examines the contested position of the body in Renaissance philosophy, showing how abstract metaphysical ideas evolved in tandem with the creation of new metaphors that shaped the understanding of early modern political, cultural, and scientific practices.

    The idea that masculinity has a history is fairly recent. This collection opens new paths in literary and theatre studies by addressing not only how literary texts represented masculinity but how different representational strategies in such texts produce masculinity. Typee: A Peep at Polynesian Life , a combination of his personal tales and imagined events, drew attention for its detailed descriptions of seafaring life and a seemingly too-wild-to-believe plot.

    His career on the ascent, in , Melville married Elizabeth Shaw, daughter of the chief justice of Massachusetts. They would go on to have four children. In , the author delivered what would become his signature work, Moby-Dick initially titled The Whale. Moby-Dick , categorized as American Romanticism, is based on both Melville's years of experience aboard whaleships and the real-life disaster of the Essex whaleship.

    The crew, adrift in their small whaleboats, faced storms, thirst, illness and starvation, and were even reduced to cannibalism for survival.

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    However, succeeding in one of the great open-boat journeys of all time, the few survivors were picked up off South America. Their story, spread widely in America in the 19th century, provided inspiration for Melville's tale of a ship captain seeking revenge on an elusive whale. In fact, the book didn't bring him any wealth or respect during his lifetime.