Manual What Do You Do with a Chocolate Jesus?

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He did so by filling a plaster mold with fifty-five pounds of melted chocolate. He used chocolate-dipped strings for hair and plastic Easter wrap for a loincloth. After Easter, Manderson invited people to come eat the immaculate confection. Irony was behind his production of the original candies, and it was behind his decision to go large scale as well.

Although not a Christian, Manderson said he was disappointed that secular culture has turned Lent and Easter from a time of solemn spiritual reflection into a time of sugary indulgence.

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The title of his sculpture, Trans-substantiation 2 , is a reference to the Catholic doctrine that states that during the Eucharist, the sacramental bread and wine turn into the literal body and blood of Christ. This ought not to be. Chocolate Jesus sculpture number two is by English artist George Heslop.

For photos, click here. Heslop had been working in chocolate for over a decade at this point, and for Holy Week, he decided to turn his attention to a holy theme: the Crucifixion. For the exhibition he sculpted a life-size crucifix as well as several mini ones. My Sweet Lord by Cosimo Cavallaro has been by far the most controversial chocolate sculpture of all—and that likely has to do in part with its exhibition in the United States, where the religious right takes greater issue with art like this than in countries like Australia or England and wields formidable power and influence.

However, after death threats, charges of hate speech, protests, and boycotts—all initiated by the Catholic League under the leadership of president Bill Donahue—the exhibition was shut down. Cavallaro, who was raised Catholic, said he actually received a lot of support from Catholics for this piece, including invitations from two priests to exhibit My Sweet Lord in their churches.

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Ultimately, the piece ended up being exhibited at The Proposition gallery in Manhattan later that year, along with a series of chocolate saint figurines, also by Cavallaro. Although this was the first time Cavallaro sculpted in chocolate, he is known for using food in his work.

Other media of his include cheese, ketchup, and ham. Some of the hullaballo surrounding My Sweet Lord was due to its medium, but just as much, or more, was due to the full frontal nudity of the figure—or rather, the combination of chocolate and nudity. Renaissance artists were fond of portraying biblical figures in the buff—but in marble or paint. Chocolate genitalia lend themselves to cruder connotations.

The lyrics describe a boy who goes to a candy store every Sunday to get his fill of chocolate Jesus. Waits said he was inspired to write this song after learning about Testamints , a candy product with a cross imprinted on it and a Bible verse on the wrapping. The song is commonly interpreted as a jab at those who use religion merely as a feel-good mechanism. Eating chocolate is known to release endorphins , or pleasure chemicals, in the brain; practicing religion can have the same effect, and it is this superficial pleasure experience that attracts some to the faith and sustains them in it.

Those who have a taste for only the sweetness of a religion, suggests Waits, are like candy-addicted kids, dependent on sugar highs and undernourished. What of the cross that Jesus calls Christians to bear? What of social and moral responsibility? What of the bitter pill of sin and its consequences? Anglican rector Christopher Page has written a thoughtful blog post on this song over at In a Spacious Place.

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The plot revolves around Sydney Corbet, who sells his idea for a chocolate Jesus to a candy company to pay off a gambling debt but then is forced to reckon with the Reverend Willy Domingo, leader of the Church of the Returning Vegetarian Christ, who launches a crusade against the candy. Apparently, Publishers Weekly thought the book significant enough to review. He remains a skeptic. In the introduction he recounts his reaction upon standing before that merchandise table at a Christian revival meeting:.

But it did raise a question: What do you do with a chocolate Jesus? How do you eat something like that? Do you work your way up the legs or go right for the halo? Do you worship it? Share it with twelve friends at the Last Dessert?


Was it like a communion wafer that became the flesh of Christ before it hit your lips? And if so, did that make it okay for a low-carb diet? Stories were based on the things we love and hate about religion. In a Christian businessman, Frank Oynhausen, started selling gold foil-wrapped chocolate Jesuses in his native Germany in an attempt to restore traditional religious values to Christmas.

Chocolate Jesus……..what can you say that hasn’t been mumbled already.

He encountered criticism from churches all over the country—they thought the candies inappropriate and tacky—and after a modest sales run ended up shutting down the operation. OK, so this product actually belongs in the body care aisle. Some Christians feel strongly opposed to having Jesus cast in chocolate form. They feel that to do so trivializes Christianity and dishonors its message, and that to eat Jesus in any form other than consecrated bread and wine is sacrilegious. On the other hand, Christians are oftentimes the ones behind the production of chocolate Jesuses.

Christian gift shops carry tons of edible religious merchandise, to be used in evangelism, as gifts, for teaching children, or for personal inspiration. Though unusual, chocolate is not an inherently irreverent medium for sacred art.

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  5. Generally, Christians have been accepting of sand sculptures and even butter sculptures depicting their Savior. Why not chocolate? Artists are doing some really cool things with chocolate these days! And these are only large-scale examples; chocolatiers, at least the high-end ones, have been making chocolate art on a small scale for centuries. Enabling JavaScript in your browser will allow you to experience all the features of our site.

    Learn how to enable JavaScript on your browser. Pitting actual Scripture against pious propaganda, Thomas Quinn treks through chapter and verse of the New Testament, explores the sordid saga of medieval beliefs including End-of-the-World panics and fights about what kind of stuff Jesus was made of , and reveals some of the shocking attitudes of America's founders toward religion.

    It isn't always pretty, but it's usually good for a laugh. If war is too important to leave to the generals, religion is too important to leave to the preachers.

    Skeptics need evangelists, too. He received an M. His programs investigate strange cultures, bizarre beliefs, and deconstruct everything from famous urban legends to supernatural events to conspiracy theories. He also presents humorous lectures on these same subjects. Originally from New Jersey, he now lives in Los Angeles. Customer Reviews Average Review. See All Customer Reviews. Shop Books. Add to Wishlist. USD Sign in to Purchase Instantly.

    It finds humor, irony, and occasional insight amid the inconsistencies, absurdities, hypocrisies, and flat out weirdness that too often passes for eternal truth. Like a history of religion as done by The Daily Show, it humorously explores the facts, the history, and the big ideas in an engaging and entertaining story.

    Product Details About the Author. About the Author Thomas Quinn is a writer for print and television, as well as a documentary producer and director. Average Review.

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